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Pop superstar Prince dead at 57

22 Apr,2016

 

Chanhassen, BdChronicle:

Pop superstar Prince, widely acclaimed as one of the most inventive and influential musicians of his era with hits including "Little Red Corvette," ''Let's Go Crazy" and "When Doves Cry," was found dead at his home on Thursday in suburban Minneapolis, according to his publicist. He was 57.

His publicist, Yvette Noel-Schure, told The Associated Press that the music icon died at his home in Chanhassen. No details were immediately released.

The singer, songwriter, arranger and instrumentalist broke through in the late 1970s with the hits "Why You Wanna Treat Me So Bad?" and "I Wanna Be Your Lover," and soared over the following decade with such albums as "1999" and "Purple Rain." The title song from "1999" includes one of the most widely quoted refrains of popular culture: "Tonight I'm gonna party like it's 1999."

The Minneapolis native, born Prince Rogers Nelson, stood just 5 feet, 2 inches tall, and seemed to summon the most original and compelling sounds at will, whether playing guitar in a flamboyant style that openly drew upon Jimi Hendrix, switching his vocals from a nasally scream to an erotic falsetto or turning out album after album of stunningly original material. Among his other notable releases: "Sign O' the Times," ''Graffiti Bridge" and "The Black Album."

He was also fiercely protective of his independence, battling his record company over control of his material and even his name. Prince once wrote "slave" on his face in protest of not owning his work and famously battled and then departed his label, Warner Bros., before returning a few years ago.

"What's happening now is the position that I've always wanted to be in," Prince told the AP in 2014. "I was just trying to get here."

The same year, Prince was inducted into the Rock and Roll of Fame, which hailed him as a musical and social trailblazer.

"He rewrote the rulebook, forging a synthesis of black funk and white rock that served as a blueprint for cutting-edge music in the Eighties," reads the Hall's dedication. "Prince made dance music that rocked and rock music that had a bristling, funky backbone. From the beginning, Prince and his music were androgynous, sly, sexy and provocative."

Rarely lacking in confidence, Price effortlessly absorbed the music of others and made it sound like Prince, whether the James Brown guitar riff on "Kiss" or the Beatle-esque, psychedelic pop of "Raspberry Beret."

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